THE SLAVE OF THE LAMP    
      By Henry Seton Merriman    




CONTENTS
 PREFACE 
 CHAPTER I. IN THE RUE ST. GINGOLPHE 
 CHAPTER II. TOOLS 
 CHAPTER III. WITHOUT REST 
 CHAPTER IV. BURDENED 
 CHAPTER V. A REUNION 
 CHAPTER VI. BROKEN THREADS 
 CHAPTER VII. PUPPETS 
 CHAPTER VIII. FALSE METAL 
 CHAPTER IX. A CLUE 
 CHAPTER X. ON THE SCENT 
 CHAPTER XI. BURY BLUFF 
 CHAPTER XII. A WARNING WORD 
 CHAPTER XIII. A NIGHT WATCH 
 CHAPTER XIV. FOILED 
 CHAPTER XV. BOOKS 
 CHAPTER XVI. FOES 
 CHAPTER XVII. A RETREAT 
 CHAPTER XVIII. AN EMPTY NEST 
 CHAPTER XIX. FOUL PLAY 
 CHAPTER XX. WINGED 
 CHAPTER XXI. TRUE TO HIS CLOTH 
 CHAPTER XXII. GREEK AND GREEK 
 CHAPTER XXIII. STRICKEN DOWN 
 CHAPTER XXIV. BACK TO LIFE 
 CHAPTER XXV. BACK TO WORK 
 CHAPTER XXVI. SIGNOR BRUNO 
 CHAPTER XXVII. IN THE RUE ST. GINGOLPHE AGAIN      
 CHAPTER XXVIII. THE MAKING OF CHRISTIAN VELLACOTT      


 




      PREFACE    
      Henry Seton Merriman published his first novel, “Young Mistley,” in 1888,      when he was twenty-six years old. Messrs. Bentley's reader, in his      critique on the book, spoke of its “powerful situations” and      unconventionality of treatment: and, while dwelling at much greater length      on its failings, declared, in effect, its faults to be the right faults,      and added that, if “Young Mistley” was not in itself a good novel, its      author was one who might hereafter certainly write good novels.    
      “Young Mistley” was followed in quick succession by “The Phantom Future,”       “Suspense,” and “Prisoners and Captives.” Some years later, considering      th                        
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