| Cartes-de-Visite. | Cabinets. |
| CHARLOTTE BRONTE | CHARLOTTE BRONTE |
| MR. NICHOLS | MR. BRONTE |
| MR. BRONTE | THE OLD CHURCH |
| MR. GRIMSHAW | THE NEW CHURCH |
| THE OLD CHURCH | THE PARSONAGE |
| THE OLD PARSONAGE | THE BRONTE GROUP |
| THE BRONTE GROUP | THE INTERIOR OF OLD CHURCH |
| THE TABLET | |
| THE OLD PEW | |
| THE OLD PULPIT | |
| THE WATERFALLS | |
| THE NEW CHURCH | |
| 6d. each. Post Free 7d. | 1s. each. Post 13 stamps. |
The touch of nature comes out strongly here. And it is this touch ofnature appearing always in the Old Testament stories which gives tothem their reality. The writer of ordinary histories has for the mostpart his favourites. These are the heroes of his imagination, and thehistory of their doings is unconsciously tempered by this partiality.And there are others whom he holds in disfavour