Transcriber’s Note:
Minor errors in punctuation and formatting have been silentlycorrected. Please see the transcriber’s note at the end of thistext for details regarding the handling of any textual issuesencountered during its preparation. The end note also discusses thehandling of the many Greek inscriptions.
Volume I of this text is available separately at Project Gutenbergat:
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References to Volume I are linked as well for ease of navigation.
HISTORY OF ANCIENT POTTERY
PLATE XLIX
ATTIC BLACK-FIGURED HYDRIA:
HARNESSING OF HORSES TO CHARIOT
(British Museum).
HISTORY OF ANCIENT POTTERY
GREEK, ETRUSCAN, AND ROMAN
BY H. B. WALTERS, M.A., F.S.A.
BASED ON THE WORK OF
SAMUEL BIRCH
IN TWO VOLUMES
VOLUME II
WITH 300 ILLUSTRATIONS
INCLUDING 8 COLOURED PLATES
NEW YORK
CHARLES SCRIBNER’S SONS
1905
PRINTED BY
HAZELL, WATSON
AND VINEY, LD.,
LONDON AND AYLESBURY,
ENGLAND.
CONTENTS OF VOLUME II
| Page | |
| CONTENTS OF VOLUME II | v |
| LIST OF PLATES IN VOLUME II | ix |
| LIST OF TEXT-ILLUSTRATIONS IN VOLUME II | xi |
| PART III | |
| THE SUBJECTS ON GREEK VASES | |
| – | |
| CHAPTER XII | |
| INTRODUCTORY—THE OLYMPIAN DEITIES | |
| Figured vases in ancient literature—Mythology and art—Relation of subjects on vases to literature—Homeric and dramatic themes and their treatment—Interpretation and classification of subjects—The Olympian deities—The Gigantomachia—The birth of Athena and other Olympian subjects—Zeus and kindred subjects—H ... BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!Sitemize Üyelik ÜCRETSİZDİR! | |